"Dancers at a Crossroads"
The Short Documentary film by Andrés Salazar
Produced by Christiana Barnett-Murphey
Featured in:
The Albuquerque Journal
The Rio Grande Sun
New Mexico True
Awarded Grants by:
Resiliency Fund from City of Albuquerque
Santa Fe International Film Festival
The Albuquerque Journal
The Rio Grande Sun
New Mexico True
Awarded Grants by:
Resiliency Fund from City of Albuquerque
Santa Fe International Film Festival
Gabriel Carrión in the Sandía Foothills.
It began as a photo project, and it has evolved into a film.
Our project centered on Dancers in the southwest region is a photography and short film project that tells the story about what makes artists unique to this beautiful area.
As of right now we have interviewed Flamenco, Breaking, Folklorico, and Hoop Dancers that all tell a beautiful story that weave together their community-driven art forms.
So far we have found that this region's borders are breaking down because of dance. We are all a community and dance connects us deeply to each other more than we thought possible.
Our project centered on Dancers in the southwest region is a photography and short film project that tells the story about what makes artists unique to this beautiful area.
As of right now we have interviewed Flamenco, Breaking, Folklorico, and Hoop Dancers that all tell a beautiful story that weave together their community-driven art forms.
So far we have found that this region's borders are breaking down because of dance. We are all a community and dance connects us deeply to each other more than we thought possible.
Josiah, Hoop Dancer of Po-suwae-geh Owingeh, (Pojoaque).
Vanessa Mathis started her own dance studio during the height of the pandemic.
Mathis' studio is still thriving.
Ysabela Trujillo in he plaza of Albuqueruqe on the gazebo.
Ysabela doing flamenco in the plaza. We took this image during Covid—flamenco is often very expressive showing wide ranges of emotion.
Vanessa Mathis in front of her studio.
The air was smokey, the sky was hazy during California fires. Jonathan Ragsdale expressing some dance near old town.
Breaking artist Crystál Zamora near the Rio grande with the Sandías in the background.
Raven Bright, breaking, and Alyssa Trujillo dancing on the unique landscapes of New Mexico.
Alyssa Trujillo touching the sky.
Gabriel Carrión Gonzales adding voguing to his arte.
Raven Bright and I loved this canon-ball jump, reminiscent of a "Scorpio."
Sarah Hogland at the volcanoes west of ABQ.
Ysabella Trujilo in Old Town with NM sun and stucco.
Ysabela with turn and shadow in Old Town.
Sarah at the volcanoes.
Essential Artists -- A project presented in 2020
In 2020 I did a series on Dancers and how they dealt with the pandemic. The statement for the series is below. The images above were presented with the series.
"Essential Artists" Dancers in Alternative Spaces"
“Essential Artists: Dancers in Alternative Spaces” serves to examine dancers from different backgrounds—cultural, local, professional, and international performers in the aftermath of cancelled shows and the emotional impact that followed. Many are coping with being at home instead of performing, and many are finding alternatives to performance, teaching in person, or taking classes with their peers. They are all enduring the challenges of not being able to work or adjusting their work life, thanks to the pandemic.
After the same cancellations, on social media, I began to notice a few friends talk about how the Super Bowl and other sporting events were still scheduled to go on. Being a former dancer myself who had to put dance on pause because of health reasons, I could relate to the sense of loss artists were facing. I reached out to a few dancers in my community to see how they processed the year 2020 and how it shifted their mindset and work life.
As I was photographing “Essential Artists,” what I came to realize was that the artists were expressing the grief of the pandemic itself while considering what their own work meant to begin with—how “essential” was it within our collective consciousness? What resulted were forms that, whether consciously or unconsciously, expressed a feeling of containment and solitude. There was a need to process the past year, mixed with moments of personal triumph as they let certain challenges go through the process.
Whether it’s on the dance floor or on the stage, movement art has always been a way to process and grapple with the complexities of being human—the highs and the lows—in a way that connects with others around us. The problem is, here we were: unable to connect with others in the same space. So many were unable to feel seen.
The camera, when used with the right intention, has the ability to help people feel seen. With dialogue and walking through the various styles the dancers expressed, together we created something diverse, empowering, and healing—all in the process itself. The subjects noted that the time off gave them time to reflect on their careers, the styles they were working on, the boundaries and goals they were going to set from here one out. The silver lining, if any, was the time for introspection.
With the grant, I intend to continue the important series and I believe many artists of all backgrounds and nationalities will benefit from being seen--the series already generated robust interest in the Santa Fe-area dance community. The grant will provide the opportunity to travel to various US or even international cities to meet more artists dancing in alternative spaces.
"Essential Artists" Dancers in Alternative Spaces"
“Essential Artists: Dancers in Alternative Spaces” serves to examine dancers from different backgrounds—cultural, local, professional, and international performers in the aftermath of cancelled shows and the emotional impact that followed. Many are coping with being at home instead of performing, and many are finding alternatives to performance, teaching in person, or taking classes with their peers. They are all enduring the challenges of not being able to work or adjusting their work life, thanks to the pandemic.
After the same cancellations, on social media, I began to notice a few friends talk about how the Super Bowl and other sporting events were still scheduled to go on. Being a former dancer myself who had to put dance on pause because of health reasons, I could relate to the sense of loss artists were facing. I reached out to a few dancers in my community to see how they processed the year 2020 and how it shifted their mindset and work life.
As I was photographing “Essential Artists,” what I came to realize was that the artists were expressing the grief of the pandemic itself while considering what their own work meant to begin with—how “essential” was it within our collective consciousness? What resulted were forms that, whether consciously or unconsciously, expressed a feeling of containment and solitude. There was a need to process the past year, mixed with moments of personal triumph as they let certain challenges go through the process.
Whether it’s on the dance floor or on the stage, movement art has always been a way to process and grapple with the complexities of being human—the highs and the lows—in a way that connects with others around us. The problem is, here we were: unable to connect with others in the same space. So many were unable to feel seen.
The camera, when used with the right intention, has the ability to help people feel seen. With dialogue and walking through the various styles the dancers expressed, together we created something diverse, empowering, and healing—all in the process itself. The subjects noted that the time off gave them time to reflect on their careers, the styles they were working on, the boundaries and goals they were going to set from here one out. The silver lining, if any, was the time for introspection.
With the grant, I intend to continue the important series and I believe many artists of all backgrounds and nationalities will benefit from being seen--the series already generated robust interest in the Santa Fe-area dance community. The grant will provide the opportunity to travel to various US or even international cities to meet more artists dancing in alternative spaces.
Andrés at the Great Sand Dunes, close to Alamosa, where his grandmother went to college to become a teacher.
Old town with Jonathan Ragsdale during the masked time.